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"On my part, I remain committed to the process of dialogue. It is my firm belief that dialogue and a willingness to look with honesty and clarity at the reality of Tibet can lead us to a viable solution."

China eats crow over faked photo of rare antelope

February 25, 2008

They didn't truly run with a train to Tibet; Xinhua Agency Recants

Wall Street Journal
February 22, 2008

HONG KONG -- It turns out that train tracks in Tibet aren't where the
antelope play.

Earlier this week, Xinhua, China's state-run news agency, issued an
unusual public apology for publishing a doctored photograph of Tibetan
wildlife frolicking near a high-speed train.

The deception -- uncovered by Chinese Internet users who sniffed out a
Photoshop scam in the award-winning picture -- has brought on a big
debate about media ethics, China's troubled relationship with Tibet,
and how pregnant antelope react to noise.

The antelope imbroglio began in the summer of 2006. The Chinese
government was celebrating its latest engineering feat, and an
enthusiastic wildlife photographer from the Daqing Evening News was
camped out on the Tibetan plateau eating energy bars and waiting for
antelope to pass.
[antelope]

On July 1, 2006, in an event scheduled to coincide with the Communist
Party's 85th birthday, Chinese President Hu Jintao hosted the launch
of China's train to the "roof of the world." The $4 billion
Qinghai-Xizang railway -- a remarkable system that transports
passengers to an altitude (16,000 feet) so high that ballpoint pens
can explode en route from the air-pressure change -- traverses 1,200
miles of rugged terrain to connect the rest of China to the remote
Tibetan plateau.

The train, which soon brought many visitors to the pristine homeland
of Tibetan Buddhists, became a flash point for China's long simmering
tensions with Tibet. During construction, it drew fierce protests from
environmentalists who said it would threaten the breeding grounds of
the chiru, an endangered antelope species found mainly in China.

When the train service began, a remarkable photograph appeared in
hundreds of newspapers, and it eased environmental concerns. The
picture, captioned "Qinghai-Tibet railway opens green passage for
wildlife," featured dozens of antelope galloping peacefully across the
Tibetan landscape, unfazed as the gleaming silver train raced beside
them.

The photo was the work of Liu Weiqing, a 41-year-old photographer who
had been camped with his Jeep on the Tibetan plateau since March, as
part of a highly publicized series by the Daqing Evening News, a
regional newspaper, to raise awareness of the rare Tibetan antelope.
Mr. Liu was also under contract with Xinhua to provide photos for
China's largest government-run news service.

"One man, one car, one year...and a campaign to protect Tibetan
antelope," he wrote on his blog describing the project.

Once nearly wiped out by poachers who made shawls from its wool, the
chiru's numbers have increased in recent years, and the knobby-kneed
bovid has emerged as a symbol of China's environmental-protection
efforts. Yingying the Tibetan Antelope is one of the five official
mascots of the 2008 Beijing Olympics.

Some antelope lovers knew from the start that something was wrong with
Mr. Liu's photo. "I was really shocked when I first saw the photo,"
says Yang Xin, of the antelope protection group Green River. For
starters, he says, many of the antelope in the picture appeared to be
pregnant and there were no young with the herd. That was a tip-off
because many antelope would have given birth before late June when the
photo was supposedly taken.

In late 2006, Mr. Liu's picture was declared a top 10 "photo of the
year" by CCTV, China's state-run television network. Mr. Liu appeared
in fatigues on national TV and described waiting in a pit for eight
days for the antelope to pass at precisely the same moment as the
train.

"I wanted to capture the harmony among the Tibetan antelope, the
train, men and nature," he told the audience, standing on stage in
front of a big projection of the photo.

Media critics say the photo's deeper message was hard to miss. "It's
such a perfect propaganda photo," says David Bandurski a researcher at
the University of Hong Kong China Media Project. "They don't tend to
give journalism prizes to reports that rock the boat."

Other photographs that took home awards that night included "Facing a
harmonious future," a picture of Chinese President Hu posing with
world leaders, and a "A trip to apologize," a picture of a Japanese
monk apologizing to China for Japanese atrocities in World War II.
CCTV didn't reply to inquiries about its criteria for photo awards.

Suspicions about the photo became public last week after Mr. Liu's
photograph was displayed in Beijing's subway system. An anonymous
Chinese Internet user going by the screen name Dajiala raised
questions about the photo's authenticity on one of China's largest
photography Web sites. Dajiala, a photographer who claimed to idolize
Mr. Liu, said he was studying a copy of the photo posted on Beijing's
Line 5 subway platform when he rubbed some dust off it and noticed
something odd.

"At the bottom of the photograph, there was a very obvious line," he
wrote. "I examined it very carefully and it was obviously the
stitching of two different images....Was this decisive moment just a
simple Photoshop trick?"

His post created an online storm. Photographers blew up the image and
analyzed each out-of-place pixel. Animal behaviorists weighed in,
explaining that antelope are shy and noise-sensitive, and would
scatter in panic at the sound of the high-speed train. When the
chat-room controversy spread to China's largest Internet portals, the
Chengdu Business Daily confronted Mr. Liu.

Cornered by the mounting evidence, Mr. Liu admitted he had indeed used
Photoshop to blend two pictures, according to the newspaper.

Mr. Liu resigned from the Daqing Evening News and posted a statement
on his blog. "I have no reason to continue my sacred career as a
newsman," he wrote. "I am not qualified for the job." His editor then
resigned, too, and the newspaper posted an apology on its Web site.
The newspaper didn't respond to repeated calls to its office. Mr. Liu
didn't answer calls to his cellphone.

Some of China's Internet users expressed outrage that a photo easy to
spot as fake had been widely circulated by major organizations. "We
need an apology! This is very important for journalistic photography
in China," wrote one Internet user on a photography site.

It isn't clear what was behind Mr. Liu's deception. Some suspected he
was the victim of his own ambition, and doctored the photo knowing
that its patriotic message would appeal to China's news agencies. "Liu
knows how to please his master," wrote one anonymous poster on the
Internet.

His friends say he was dedicated to his job and determined to raise
the profile of the embattled antelope. "He was a good guy," says Zhou
Zhuogang, an environmental activist from Shenzhen in southern China
who met Mr. Liu in the summer of 2006 when the two men were at a
volunteer station on the Tibetan plateau. "He loved photography, and
he loved the antelope. I don't know what pushed him to do this."

Some suspect pressure to create the photo came from above. "When
everybody points a finger to the photographer, we actually missed the
real core problem here," says Wang Yangbo, editor of Wen Wei Pao, a
Hong Kong Daily. The photographers "are nobodies in the scheme of
things here," she adds.

Earlier this week, CCTV posted a statement on its Web site saying it
was revoking Mr. Liu's award. On Monday, Xinhua, China's largest news
organization, and several other government news organizations
published an apology for circulating the photo. The companies said
they would delete all of Mr. Liu's images from their databases.

"We call on the public to work together with us to uphold the
authenticity principle of news reporting," the statement said. Xinhua
didn't respond to requests for comment.
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